1998. Rated R. 117 minutes.
Cast: Edward Norton, Edward Furlong,
Beverly D'Angelo, Jennifer Lien, Avery Brooks, Elliot Gould, Stacy Keach,
Ethan Suplee, Fairuza Balk, Guy Torry, William Russ
|Grade: A||Review by Carlo Cavagna|
American History X functions primarily on the strength of Edward Norton's acting and director/cinematographer Tony Kaye's visuals. Edward Norton should earn another Oscar nomination for his work here [Ed. note--as, indeed, he did after this review was written]. Because of Norton's incredible ability to transform himself, Derek's improbable character development is more believable than perhaps it ought to be. American History X is not for the squeamish, but for everybody else, it's a must see.
The film critics were not unanimous in their praise, however. Two criticisms, in particular, were leveled at American History X:
1) American History X glorifies the views it purports to condemn.
It's hard to see how. There are numerous scenes of Derek eloquently spouting neo-Nazi philosophy, which is what the critics are objecting to, I suppose. Or perhaps the critics are referring to the fact that there is also a great deal of moral ambiguity. Certainly, it would have been easy to populate the story with only 100%-negative white characters and angelic minority victims. It would have been politically safe to sprinkle in a generous amount of lecturing on the evils of racial hatred.
American History X chooses a more challenging and realistic road. For the most part, it avoids the lecturing and lets the characters' experiences do the talking. It portrays minority characters who are, in fact, negative, along with several positive ones. Because American History X attempts to capture the twisted appeal of hate groups, there are certain scenes that could be misinterpreted if taken out of context. In the end, though, the message of American History X could not be more clear: you reap what you sow.
The Big Picture
2) The character development is implausible and contrived.
As I've already indicated, this criticism is perhaps more justified. Derek's change from Evil White Supremacist to Enlightened Guy in prison seems extreme, but it is explained well--certain things happen to Derek that would change anyone. Furthermore, in a dramatic confrontation with his former Nazi mentor (Stacy Keach), we see clear evidence that certain elements of Derek's nature are still the same. What is unclear is how Derek originally changed from Shy Young Honors Student to Evil White Supremacist. We're shown two scenes--a dinner conversation with his bigoted father and Derek's reaction to his father's murder in a television interview--but these are insufficient and poorly written. This is a minor problem, however, that does not detract from the film's overall impact.
American History X was released in the midst of a bit of a soap opera. After a power struggle over the film editing--during which New Line Cinema took control of the film from director Tony Kaye, hired respected editor Jerry Greenberg, and brought Norton into the editing booth to help--Kaye publicly denounced the movie (via numerous interviews and bizarre ads in trade magazines), called Norton a "narcissistic dilettante," and unsuccessfully attempted to remove his name from the credits. Apparently the conflict began when Kaye failed repeatedly to produce a final version of the film and demanded to do numerous reshoots long after production wrapped. His justification was that "Stanley Kubrick is allowed to do it." Of course, Stanley Kubrick is not a first-time feature film director who has done commercials all his life.
Fortunately, the final product is nowhere near the disaster Kaye proclaimed it to be. Despite the presence of flaws, American History X is a powerful piece of filmmaking. For Kaye to disown it is irrational beyond belief.
© January 1999 by AboutFilm.Com and the author.
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